Sunday, December 9, 2012

Module 12 Just Being Audrey


Summary:  The life of Audrey Hepburn is featured in this biography.  It starts off with her childhood aspirations of being a ballerina and how that carried her through World War II.  At the end of the war, she realized that ballet wasn’t ever going to work for her because of the way she was built.  She gave acting a try.  Timing worked out perfectly, and she was cast for a play.  As a result of the play, she landed a role in Gigi.  From there, she ended up making over 20 movies.  In the end, she focused on giving back to others and advocated for UNICEF.  Impression:  I knew next to nothing about Audrey Hepburn, so I was curious about what makes her so iconic to so many people, beyond the black dress.  I had no idea that she’d had to go into hiding during World War II, and I knew nothing of her efforts to advocate for children.  It was a fun, inspiring story to read.  Suggestions for library setting:  In the past, our theatre teacher did a lesson that involved learning more about iconic celebrities.  At the time, Audrey Hepburn was on the list, but we didn’t have any print resources.  I can see adding this book or another like it about Audrey Hepburn’s life to the collection for this and other projects.

Cardillo, Margaret. (2011). Just being Audrey. New York: Balzer + Bray.

In this delightful introduction to Audrey Hepburn, readers learn that as a child, she was gangly and imaginative, in a world of her own. When she announced that she wanted to be the prima ballerina of all of Europe, her mother told her that the world was bigger than she was, and to always be kind, a tenet that seems to have stuck with her for life. She was born into a family of some privilege (her mother was a baroness), but their small wealth was no match for the advancing Nazi troops in World War II. Along with her family and 40 others, she hid in a country house with no heat and little to eat. Through the ordeal, she kept dancing and taught the other children. As the war in Europe ended, a UN volunteer gave her a chocolate bar, an act of kindness that seemed to inspire her. After the young woman realized that she would be more suited to acting, her Cinderella career took her from London to Broadway to Hollywood, but the power in this book lies beyond her fame in the spotlight. Her generous humanitarian spirit is seen through her actions and deeds as a Goodwill Ambassador for UNICEF as she used her celebrity as a vehicle to assist others. With a light, sweet narrative style, readers can almost picture Hepburn dancing as they turn the pages. Evocative of the period, Denos's almost impressionistic pen-and-ink and watercolor artwork is lively and colorful. This picture-book biography is a great addition to any collection.

Donnelly, A. (2011).  Just being Audrey.  School Library Journal, 57(4), 158.

Just Being Audrey.  It’s hard to believe life for Audrey Hepburn was ever anything but smart clothes, quirky expressions, and wistful gazes into the eyes of Cary Grant, but Cardillo makes a strong case to the contrary. Growing up in WWII–era Europe, Audrey wanted only to be a dancer, but the other girls made fun of her physical hurdles: “She was too tall, her feet were too big, and her neck was too long,” and “her eyes seemed too big for her head.” Young readers will get the message: these were precisely the traits that made Audrey an iconic beauty as an adult. In short order, she was spotted by entertainment heavyweights for her  je ne sais quoi  and quickly catapulted to fame. Denos’ soft pastel illustrations cut just the right Audrey outline (complete with flapping neck scarf), and fans will especially enjoy picking out the movie roles depicted in a two-page spread of costumes. Her later humanitarian deeds are given their due, but it is Audrey’s simple kindness that is emphasized throughout.

Kraus, D. (2010).  Just being Audrey.  Booklist, 10(7), 43.

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